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Showing posts from May, 2026

Linguistic Representation

This makes it self-evident that every reflection is at one and same time a dislocation, a deformation which, on the one hand, emphasizes certain aspects of the object, and on the other hand shows up the structural principle of the language into whose space the given object is being projected. Yuri Lotman (Universe of the Mind)   This quote comes from the Russian semiotician Yuri Lotman (often in discussions of his work on cultural semiotics, the semiosphere, and mirror imagery as a model for representation). It captures a key insight about how language, signs, and modelling systems work.   Breakdown of the Quote "Every reflection" : Here, "reflection" does not primarily mean pondering or thinking (though it can overlap). It refers to REPRESENTATION or MODELLING — how we "reflect" an object, idea, event, or reality in a sign system, that is, language, art, culture, discourse, etc. Think of it like a mirror image, a description, a translation, a map, or a...

Stylistics and Semantics in the Semiotic System

The opposition Stylistics/semantics works as follows: every semiotic system (or language) has a hierarchical structure. Semantically speaking, we can see this hierarchy in the fact that the semantic field of the language is divided into separate, self-contained spaces, between which a relationship of similarity exists. - Yuri Lotman (Universe of Mind)   This quotation comes from Yuri Lotman, a key figure in the Tartu-Moscow School of semiotics, in his work on semiotics of culture and artistic texts (from Universe of the Mind ). CORE IDEA: THE STYLISTICS/SEMANTICS OPPOSITION Lotman frames stylistics and semantics as complementary but opposing aspects of how meaning works in any semiotic system: a sign-based system like natural language, art, myth, or culture itself. SEMANTICS concerns CONTENT and MEANING — the "what" (denotative or referential meaning, semantic fields). STYLISTICS concerns EXPRESSION , FORM , and HOW meaning is organized and presented, the artistic or s...

Neo-rhetoric and figures of speech

Neo-rhetoric operates basically with three concepts: metaphor – the semantic of a ‘seme’ according to the principle of similarity or likeness, metonymy – a substitution according to the principle of contiguity , association, causality (different authors emphasize different types of connection); synecdoche, which some authors regard as the primary figure and others as a particular example of metonymy – a substitution on the basis of participation, inclusiveness, partiality or the substitution of plurality by singleness. -Yuri Lotman (Universe of Mind)   This passage describes the core framework of neo-rhetoric (also called the "new rhetoric" or modern rhetorical theory, particularly in its structuralist and semiotic forms from the mid-20th century onward). Neo-rhetoric shifts classical rhetoric’s focus on persuasion and ornate figures toward a more systematic, linguistic, and semantic analysis of how meaning is produced through tropes, i.e. figures of speech that involve subst...