Vimarsh

Hello dear Colleague and Fellow Researcher. Today, I would like to discuss a chapter entitled  "Theories" from the book An Introduction to Cultural Studies written by Pramod K. Nayar. Prof. Pramod Nayar ABOUT THE AUTHOR(S): Pramod K. Nayar is a professor of English and Cultural studies. He holds UNESCO Chair in Vulnerability Studies, at the Department of English, University of Hyderabad. He has written extensively on Cultural Studies, Popular Culture, Posthumanism, and Postcolonial studies. You can learn more about him at https://sites.google.com/site/pramodknayar/Home?authuser=0   WHAT IS THIS CHAPTER ABOUT? This chapter outlines various theoretical frameworks used within the field of cultural studies. It systematically presents key theories, such as structuralism, poststructuralism and deconstruction, Marxism, postmodernism, feminism and post-feminisms, postcolonial theory, technoculture and risk, and posthumanism, exploring their core concepts and a...

Neo-noir cinema is a modern evolution of the classic film noir genre, which emerged in the 1940s and 1950s. It reinterprets noir’s themes, aesthetics, and narrative techniques, often blending them with contemporary sensibilities, technologies, and cultural contexts. Neo-noir films maintain the dark, cynical, and morally ambiguous tone of classic noir but adapt it to modern settings, often incorporating color cinematography, updated social issues, and more explicit content.   Noir Cinema Let us begin with a little introduction to Noir Cinema. Noir cinema, commonly known as film noir, is a genre of Hollywood criminal drama that emphasizes cynical attitudes and motivations. The 1940s and 1950s are widely recognized as the "classic period" of American cinema noir. This era's film noir is distinguished by a low-key, black-and-white visual style derived from German expressionist cinematography. Many of the prototype storylines and attitudes conveyed in classic noir are based on...

A semiotic analysis of the Tamil film Vikram Vedha (2017), directed by Pushkar-Gayathri, reveals how the film employs signs, symbols, and narrative structures to explore themes of morality, duality, and the grey areas between good and evil. Drawing inspiration from the Indian folktale Baital Pachisi (Vikram and Betaal), the film uses a rich tapestry of visual, auditory, and narrative elements to convey its philosophical and ethical inquiries. Below is a detailed semiotic analysis, focusing on key elements such as narrative structure, character archetypes, visual motifs, dialogue, and cultural references. Genre: Neo-noir action thriller Duration: 147 minutes Di. Pushkar-Gayathri Tamil  Narrative Structure and the Baital Pachisi Framework The film's narrative is a modern adaptation of the Baital Pachisi , a folktale where King Vikramaditya is tasked with capturing the cunning Vetala (Betaal), who challenges him with moral riddles. In Vikram Vedha , this structure is mirrored thr...

આજે , સંકેતવિજ્ઞાનની ચર્ચામાં , હું એનાલોગ સંકેતોની સંકલ્પના પર વિસ્તૃત રીતે વાત કરવા માંગુ છું . વ્યાખ્યા : સંકેતવિજ્ઞાનમાં , એનાલોગ સંકેત એવા સંકેતો છે જેમાં સંકેતક ( ભૌતિક સ્વરૂપ ) (Signifier) અને સંકેતીત ( સંકલ્પના ) (Signified) વચ્ચેનો સંબંધ સામ્યતાની ડિગ્રી પર આધારિત હોય છે , જે ઘણીવાર સતત શ્રેણી ( continuum ) પર આધારિત હોય છે , નહીં કે અલગ - અલગ એકમો પર . આનું વિરોધાભાસ ડિજિટલ સંકેતો (Digital Signs) સાથે છે , જેમાં સ્પષ્ટ અને અલગ સીમાઓ હોય છે . એનાલોગ સંકેતો , જેને આઇકોનિક સંકેત (Iconic Signs) તરીકે પણ ઓળખવામાં આવે છે , તેઓ જે વસ્તુઓ કે સંકલ્પનાઓનું પ્રતિનિધિત્વ કરે છે તેની સાથે સામ્યતા રાખીને અથવા તેનું અનુકરણ કરીને તેમનો અર્થ રજૂ કરે છે . એનાલોગ સંકેતો જેવા કે દ્રશ્ય ચિત્રો , હાવભાવ , રચના , સ્વાદ અને ગંધ, એવા સંકેતો છે જે એક સતત શ્રેણી પર આધારિત સંબંધોમાં જોવા મળે છે , નહીં કે અલગ - અલગ એકમોમાં ( ડિજિટલ સંકેતોથી વિપરીત ). જોકે , નોંધ લેશો કે ડિજિટલ ટેકનોલોજી એન...

Hello and welcome dear friends and cinema lovers.  Today I will talk about 1999 American Black Comedy War Film, THREE KINGS directed by David O. Russell. The script was developed from a story by John Ridley.     GENRE: BLACK COMEDY WAR FILM DURATION: 115 Minutes   WHAT IS IT ABOUT? Three Kings (1999) is an American war-comedy film directed by David O. Russell. Set during the aftermath of the Gulf War, it follows four U.S. soldiers—Archie Gates (George Clooney), Troy Barlow (Mark Wahlberg), Chief Elgin (Ice Cube), and Conrad Vig (Spike Jonze)—who discover a map leading to stolen Kuwaiti gold hidden by Saddam Hussein's regime. Initially driven by greed, they embark on a heist to steal the gold but become entangled in the plight of Iraqi civilians and rebels oppressed by Saddam’s forces.   George Clooney as Archie Gates Ice Cube as Chief Elgin Mark Wahlberg as  Troy Barlow Spike Jonze as  Conrad Vig As their plan unravels, the soldi...