Vimarsh

𝔹𝕒𝕣𝕥𝕙𝕖𝕤 𝕤𝕖𝕖𝕤 𝕗𝕚𝕧𝕖 𝕗𝕠𝕣𝕞𝕤 𝕠𝕗 𝕔𝕠𝕟𝕟𝕠𝕥𝕒𝕥𝕚𝕠𝕟𝕤 , 𝕗𝕚𝕧𝕖 𝕔𝕠𝕕𝕖𝕤 𝕥𝕙𝕒𝕥 𝕠𝕣𝕘𝕒𝕟𝕚𝕤𝕖 𝕥𝕙𝕖 𝕚𝕟𝕥𝕖𝕝𝕝𝕚𝕘𝕚𝕓𝕚𝕝𝕚𝕥𝕪 𝕠𝕗 𝕊𝕒𝕣𝕣𝕒𝕤𝕚𝕟𝕖 . 𝕋𝕙𝕖𝕪 𝕔𝕠𝕣𝕣𝕖𝕤𝕡𝕠𝕟𝕕 𝕥𝕠 𝕗𝕚𝕧𝕖 𝕞𝕒𝕛𝕠𝕣 𝕔𝕣𝕚𝕥𝕚𝕔𝕒𝕝 𝕝𝕒𝕟𝕘𝕦𝕒𝕘𝕖𝕤 𝕠𝕗 𝕠𝕦𝕣 𝕥𝕚𝕞𝕖 : 𝕟𝕒𝕣𝕣𝕒𝕥𝕚𝕧𝕖 , 𝕥𝕙𝕖𝕞𝕒𝕥𝕚𝕔 , 𝕡𝕤𝕪𝕔𝕙𝕠𝕝𝕠𝕘𝕚𝕔𝕒𝕝 , 𝕤𝕠𝕔𝕚𝕠𝕝𝕠𝕘𝕚𝕔𝕒𝕝 𝕒𝕟𝕕 𝕡𝕤𝕪𝕔𝕙𝕠𝕒𝕟𝕒𝕝𝕪𝕥𝕚𝕔𝕒𝕝 𝕔𝕣𝕚𝕥𝕚𝕔𝕚𝕤𝕞𝕤 . 𝔹𝕦𝕥 𝕥𝕙𝕖𝕪 𝕒𝕣𝕖 𝕟𝕠𝕥 𝕔𝕠𝕟𝕔𝕖𝕚𝕧𝕖𝕕 𝕒𝕤 𝕗𝕚𝕧𝕖 𝕚𝕟𝕕𝕖𝕡𝕖𝕟𝕕𝕖𝕟𝕥 𝕨𝕒𝕪𝕤 𝕠𝕗 𝕝𝕠𝕠𝕜𝕚𝕟𝕘 𝕒𝕥 𝕒 𝕥𝕖𝕩𝕥 , 𝕓𝕦𝕥 𝕒𝕤 𝕗𝕚𝕧𝕖 𝕠𝕣𝕘𝕒𝕟𝕚𝕤𝕒𝕥𝕚𝕠𝕟𝕤 𝕒𝕝𝕝 𝕠𝕗 𝕨𝕙𝕚𝕔𝕙 𝕒𝕣𝕖 𝕖𝕤𝕤𝕖𝕟𝕥𝕚𝕒𝕝 𝕗𝕠𝕣 𝕒𝕟𝕪 𝕒𝕔𝕥 𝕠𝕗 𝕣𝕖𝕒𝕕𝕚𝕟𝕘 𝕒 𝕥𝕖𝕩𝕥 . - ℝ𝕠𝕤𝕒𝕝𝕚𝕟𝕕 ℂ𝕠𝕨𝕒𝕣𝕕 & 𝕁𝕠𝕙𝕟 𝔼𝕝𝕝𝕚𝕤 𝟭 . 𝗕𝗮𝗿𝘁𝗵𝗲𝘀 ' 𝗙𝗶𝘃𝗲 𝗖𝗼𝗱𝗲𝘀 𝗶𝗻 ' 𝗦𝗮𝗿𝗿𝗮𝘀𝗶𝗻𝗲 ' Roland Barthes, in his analysis of Balzac's Sarrasine, ...

𝕀𝕗 𝕥𝕙𝕖𝕣𝕖 𝕚𝕤 𝕠𝕟𝕖 𝕚𝕟𝕕𝕚𝕤𝕡𝕦𝕥𝕒𝕓𝕝𝕖 𝕗𝕒𝕔𝕥 𝕒𝕓𝕠𝕦𝕥 𝕥𝕙𝕖 𝕙𝕦𝕞𝕒𝕟 𝕔𝕠𝕟𝕕𝕚𝕥𝕚𝕠𝕟 𝕚𝕥 𝕚𝕤 𝕥𝕙𝕒𝕥 𝕟𝕠 𝕔𝕠𝕞𝕞𝕦𝕟𝕚𝕥𝕪 𝕔𝕒𝕟 𝕤𝕦𝕣𝕧𝕚𝕧𝕖 𝕚𝕗 𝕚𝕥 𝕚𝕤 𝕡𝕖𝕣𝕤𝕦𝕒𝕕𝕖𝕕 — 𝕠𝕣 𝕖𝕧𝕖𝕟 𝕚𝕗 𝕚𝕥 𝕤𝕦𝕤𝕡𝕖𝕔𝕥𝕤 — 𝕥𝕙𝕒𝕥 𝕚𝕥𝕤 𝕞𝕖𝕞𝕓𝕖𝕣𝕤 𝕒𝕣𝕖 𝕝𝕖𝕒𝕕𝕚𝕟𝕘 𝕞𝕖𝕒𝕟𝕚𝕟𝕘𝕝𝕖𝕤𝕤 𝕝𝕚𝕧𝕖𝕤 𝕚𝕟 𝕒 𝕞𝕖𝕒𝕟𝕚𝕟𝕘𝕝𝕖𝕤𝕤 𝕦𝕟𝕚𝕧𝕖𝕣𝕤𝕖 . - 𝕊𝕥𝕖𝕧𝕖𝕟 ℙ𝕚𝕟𝕜𝕖𝕣 The statement suggests that a fundamental aspect of human existence is the need for meaning and purpose, both at an individual and communal level. For a community to thrive, its members must believe their lives have significance and that the universe itself has some inherent order or purpose. If people become convinced—or even begin to suspect—that their lives and the universe are devoid of meaning, it undermines the foundation of their society. This can lead to despair, disconnection, and the erosion of shared values, making it difficul...

𝕋𝕙𝕚𝕤 𝕣𝕖𝕡𝕣𝕖𝕤𝕤𝕚𝕠𝕟 𝕠𝕗 𝕡𝕣𝕠𝕕𝕦𝕔𝕥𝕚𝕠𝕟 𝕥𝕒𝕜𝕖𝕤 𝕡𝕝𝕒𝕔𝕖 𝕓𝕖𝕔𝕒𝕦𝕤𝕖 𝕣𝕖𝕒𝕝𝕚𝕤𝕞 𝕙𝕒𝕤 𝕚𝕥𝕤 𝕓𝕒𝕤𝕚𝕔 𝕡𝕙𝕚𝕝𝕠𝕤𝕠𝕡𝕙𝕪 𝕠𝕗 𝕝𝕒𝕟𝕘𝕦𝕒𝕘𝕖 𝕟𝕠𝕥 𝕒 𝕡𝕣𝕠𝕕𝕦𝕔𝕥𝕚𝕠𝕟 𝕓𝕦𝕥 𝕚𝕕𝕖𝕟𝕥𝕚𝕥𝕪 : 𝕥𝕙𝕖 𝕤𝕚𝕘𝕟𝕚𝕗𝕚𝕖𝕣 𝕚𝕤 𝕥𝕣𝕖𝕒𝕥𝕖𝕕 𝕒𝕤 𝕚𝕕𝕖𝕟𝕥𝕚𝕔𝕒𝕝 𝕥𝕠 𝕒 ( 𝕡𝕣𝕖 - 𝕖𝕩𝕚𝕤𝕥𝕖𝕟𝕥 ) 𝕤𝕚𝕘𝕟𝕚𝕗𝕚𝕖𝕕 . 𝕋𝕙𝕖 𝕤𝕚𝕘𝕟𝕚𝕗𝕚𝕖𝕣 𝕒𝕣𝕖 𝕟𝕠𝕥 𝕤𝕖𝕖𝕟 𝕒𝕤 𝕔𝕒𝕦𝕘𝕙𝕥 𝕦𝕡 𝕥𝕠𝕘𝕖𝕥𝕙𝕖𝕣 𝕚𝕟 𝕒 𝕡𝕣𝕠𝕔𝕖𝕤𝕤 𝕠𝕗 𝕡𝕣𝕠𝕕𝕦𝕔𝕥𝕚𝕠𝕟 , 𝕥𝕙𝕖𝕪 𝕒𝕣𝕖 𝕥𝕣𝕖𝕒𝕥𝕖𝕕 𝕒𝕤 𝕖𝕢𝕦𝕚𝕧𝕒𝕝𝕖𝕟𝕥𝕤 : 𝕥𝕙𝕖 𝕤𝕚𝕘𝕟𝕚𝕗𝕚𝕖𝕣 𝕚𝕤 𝕞𝕖𝕣𝕖𝕝𝕪 𝕥𝕙𝕖 𝕖𝕢𝕦𝕚𝕧𝕒𝕝𝕖𝕟𝕥 𝕠𝕗 𝕚𝕥𝕤 𝕡𝕣𝕖 - 𝕖𝕤𝕥𝕒𝕓𝕝𝕚𝕤𝕙𝕖𝕕 𝕔𝕠𝕟𝕔𝕖𝕡𝕥 . - ℝ𝕠𝕤𝕒𝕝𝕚𝕟𝕕 ℂ𝕠𝕨𝕒𝕣𝕕 & 𝕁𝕠𝕙𝕟 𝔼𝕝𝕝𝕚𝕤 The passage, here, critiques the philosophy of language underlying realism, particularly in how it conceptualizes the relationship between signifiers (words, symbols, or signs) and signifieds (...

ℍ𝕖 𝕤𝕡𝕖𝕒𝕜𝕤 𝕠𝕗 ‘ 𝕨𝕣𝕚𝕥𝕒𝕓𝕝𝕖 ’ 𝕥𝕖𝕩𝕥𝕤 ( 𝕥𝕙𝕖 𝕥𝕣𝕒𝕟𝕤𝕝𝕒𝕥𝕚𝕠𝕟 , 𝕦𝕟𝕙𝕖𝕝𝕡𝕗𝕦𝕝𝕝𝕪 , 𝕙𝕒𝕤 ‘ 𝕨𝕣𝕚𝕥𝕖𝕣𝕝𝕪 ’): 𝕥𝕙𝕠𝕤𝕖 𝕥𝕖𝕩𝕥𝕤 𝕥𝕙𝕒𝕥 ‘ 𝕞𝕒𝕜𝕖 𝕥𝕙𝕖 𝕣𝕖𝕒𝕕𝕖𝕣 𝕟𝕠 𝕝𝕠𝕟𝕘𝕖𝕣 𝕒 𝕔𝕠𝕟𝕤𝕦𝕞𝕖𝕣 , 𝕓𝕦𝕥 𝕒 𝕡𝕣𝕠𝕕𝕦𝕔𝕖𝕣 𝕠𝕗 𝕥𝕙𝕖 𝕥𝕖𝕩𝕥 ’: 𝕥𝕙𝕖 𝕥𝕖𝕩𝕥 𝕠𝕗 𝕥𝕙𝕖 𝕒𝕧𝕒𝕟𝕥 - 𝕘𝕒𝕣𝕕𝕖 𝕨𝕙𝕚𝕔𝕙 𝕕𝕖𝕔𝕠𝕟𝕤𝕥𝕣𝕦𝕔𝕥 𝕝𝕒𝕟𝕘𝕦𝕒𝕘𝕖 . 𝔽𝕒𝕔𝕖 𝕥𝕠 𝕗𝕒𝕔𝕖 𝕨𝕚𝕥𝕙 𝕥𝕙𝕚𝕤 𝕗𝕝𝕠𝕒𝕥𝕚𝕟𝕘 , 𝕠𝕡𝕖𝕟 𝕡𝕣𝕒𝕔𝕥𝕚𝕔𝕖 𝕚𝕤 𝕥𝕙𝕖 𝕕𝕠𝕞𝕚𝕟𝕒𝕟𝕥 𝕞𝕠𝕕𝕖 𝕠𝕗 𝕨𝕣𝕚𝕥𝕚𝕟𝕘 , 𝕒 𝕗𝕚𝕩𝕚𝕥𝕪 , 𝕒 𝕡𝕣𝕠𝕔𝕖𝕤𝕤 𝕨𝕙𝕖𝕣𝕖 𝕥𝕙𝕖 𝕣𝕖𝕒𝕕𝕖𝕣 ’ 𝕤 𝕣𝕠𝕝𝕖 𝕚𝕤 𝕥𝕙𝕒𝕥 𝕠𝕗 𝕔𝕠𝕟𝕤𝕦𝕞𝕖𝕣 , 𝕒𝕓𝕝𝕖 𝕠𝕟𝕝𝕪 𝕥𝕠 ‘ 𝕒𝕔𝕔𝕖𝕡𝕥 𝕠𝕣 𝕣𝕖𝕛𝕖𝕔𝕥 𝕥𝕙𝕖 𝕥𝕖𝕩𝕥 ’. - ℝ𝕠𝕤𝕒𝕝𝕚𝕟𝕕 ℂ𝕠𝕨𝕒𝕣𝕕 𝕒𝕟𝕕 𝕁𝕠𝕙𝕟 𝔼𝕝𝕝𝕚𝕤   આ ઉદ્ધરણ Language and Materialism પુસ્તકમાંથી લેવામાં આવ્યું છે જે રોલાં બાર્થની બે પ્રકારની કૃતિઓની તુલના કરે છે: "લખાણક્ષમ...