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Why George Orwell wrote "1984"? His letter to explain the scenario..

I must say I believe, or fear, that taking the world as a whole these things are on the increase. Hitler, no doubt, will soon disappear, but only at the expense of strengthening (a) Stalin, (b) the Anglo-American millionaires and (c) all sorts of petty fuhrers of the type of de Gaulle. All the national movements everywhere, even those that originate in resistance to German domination, seem to take non-democratic forms, to group themselves round some superhuman fuhrer (Hitler, Stalin, Salazar, Franco, Gandhi, De Valera are all varying examples) and to adopt the theory that the end justifies the means. Everywhere the world movement seems to be in the direction of centralised economies which can be made to ‘work’ in an economic sense but which are not democratically organised and which tend to establish a caste system. With this go the horrors of emotional nationalism and a tendency to disbelieve in the existence of objective truth because all the facts have to fit in with the words and prophecies of some infallible fuhrer. Already history has in a sense ceased to exist, ie. there is no such thing as a history of our own times which could be universally accepted, and the exact sciences are endangered as soon as military necessity ceases to keep people up to the mark. Hitler can say that the Jews started the war, and if he survives that will become official history. He can’t say that two and two are five, because for the purposes of, say, ballistics they have to make four. But if the sort of world that I am afraid of arrives, a world of two or three great superstates which are unable to conquer one another, two and two could become five if the fuhrer wished it. That, so far as I can see, is the direction in which we are actually moving, though, of course, the process is reversible.
As to the comparative immunity of Britain and the USA. Whatever the pacifists etc. may say, we have not gone totalitarian yet and this is a very hopeful symptom. I believe very deeply, as I explained in my book The Lion and the Unicorn, in the English people and in their capacity to centralise their economy without destroying freedom in doing so. But one must remember that Britain and the USA haven’t been really tried, they haven’t known defeat or severe suffering, and there are some bad symptoms to balance the good ones. To begin with there is the general indifference to the decay of democracy. Do you realise, for instance, that no one in England under 26 now has a vote and that so far as one can see the great mass of people of that age don’t give a damn for this? Secondly there is the fact that the intellectuals are more totalitarian in outlook than the common people. On the whole the English intelligentsia have opposed Hitler, but only at the price of accepting Stalin. Most of them are perfectly ready for dictatorial methods, secret police, systematic falsification of history etc. so long as they feel that it is on ‘our’ side. Indeed the statement that we haven’t a Fascist movement in England largely means that the young, at this moment, look for their fuhrer elsewhere. One can’t be sure that that won’t change, nor can one be sure that the common people won’t think ten years hence as the intellectuals do now. I hope they won’t, I even trust they won’t, but if so it will be at the cost of a struggle. If one simply proclaims that all is for the best and doesn’t point to the sinister symptoms, one is merely helping to bring totalitarianism nearer.
You also ask, if I think the world tendency is towards Fascism, why do I support the war. It is a choice of evils—I fancy nearly every war is that. I know enough of British imperialism not to like it, but I would support it against Nazism or Japanese imperialism, as the lesser evil. Similarly I would support the USSR against Germany because I think the USSR cannot altogether escape its past and retains enough of the original ideas of the Revolution to make it a more hopeful phenomenon than Nazi Germany. I think, and have thought ever since the war began, in 1936 or thereabouts, that our cause is the better, but we have to keep on making it the better, which involves constant criticism.
Yours sincerely,
Geo. Orwell

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āŠŦિāŠē્āŠŪ “ āŠ§ુāŠģāŠ•ી āŠĪાāŠ°ી āŠŪાāŠŊા āŠēાāŠ—ી ” āŠ°ાāŠ āŠĩા āŠļāŠŪાāŠœāŠĻી āŠāŠ• āŠŊુāŠĩāŠĪી , āŠ§ુāŠģāŠ•ી , āŠĻી āŠĩાāŠĪ āŠ•āŠ°ે āŠ›ે . āŠ† āŠŦિāŠē્āŠŪ ‘ āŠ°ાāŠ  ’ āŠĩિāŠļ્āŠĪાāŠ° āŠĪāŠ°ીāŠ•ે āŠ“āŠģāŠ–āŠĪા āŠ›ોāŠŸાāŠ‰āŠĶેāŠŠુāŠ° , āŠŠાāŠĩીāŠœેāŠĪāŠŠુāŠ° , āŠĻāŠļāŠĩાāŠĄી , āŠŽોāŠĄેāŠēી , āŠĩāŠ—ેāŠ°ે āŠœેāŠĩા āŠ—ાāŠŪāŠĄાંāŠ“āŠŪાં āŠ–ૂāŠŽ āŠļāŠŦāŠģ āŠĨāŠ‡ āŠđāŠĪી . āŠ† āŠĩિāŠļ્āŠĪાāŠ°āŠĻા āŠļિāŠĻેāŠŪાāŠ˜āŠ°ોāŠŪાં , āŠœ્āŠŊાં āŠŦિāŠē્āŠŪ āŠŦāŠ•્āŠĪ āŠĪ્āŠ°āŠĢ āŠĶિāŠĩāŠļ āŠšાāŠēāŠĪી , āŠ† āŠŦિāŠē્āŠŪ āŠŪāŠđિāŠĻાāŠ“ āŠļુāŠ§ી āŠšાāŠēી . āŠŠāŠ°ંāŠĪુ , āŠŪાāŠ°ા āŠ•ેāŠŸāŠēાāŠ• āŠŪાāŠđિāŠĪીāŠĶાāŠĪાāŠ“āŠĻા āŠŪāŠĪ āŠ…āŠĻુāŠļાāŠ° āŠ† āŠŦિāŠē્āŠŪ āŠ°ાāŠ āŠĩા āŠļāŠŪાāŠœ āŠĩિāŠ·ે āŠĻ āŠđāŠĪી . āŠĪો āŠŠāŠ›ી āŠ† āŠŦિāŠē્āŠŪ āŠ•ેāŠŸāŠēાāŠ• āŠšોāŠ•્āŠ•āŠļ āŠĩિāŠļ્āŠĪાāŠ°ોāŠŪાં āŠœ āŠ†āŠŸāŠēી āŠļāŠŦāŠģ āŠ•ેāŠŪ āŠĨāŠ‡ ? āŠŠ્āŠ°āŠļ્āŠĪુāŠĪ āŠŠેāŠŠāŠ° āŠāŠĻા āŠ•ેāŠŸāŠēાāŠ• āŠ•ાāŠ°āŠĢો āŠĩિāŠ·ે āŠĩાāŠĪ āŠ•āŠ°āŠķે , āŠ…āŠĻે āŠŦિāŠē્āŠŪāŠŪાં ‘ āŠ°ાāŠ āŠĩા ’ āŠ“āŠģāŠ– āŠ•āŠˆ āŠ°ીāŠĪે āŠ‰āŠ­ી āŠ•āŠ°āŠĩાāŠŪાં āŠ†āŠĩી āŠ›ે āŠĪેāŠĻા āŠĩિāŠ·ે āŠĩાāŠĪ āŠ•āŠ°āŠķે . āŠļાāŠŪાāŠœીāŠ• āŠ°ીāŠĪે āŠŠāŠ›ાāŠĪ āŠĩāŠ°્āŠ—āŠĻી āŠ‰āŠŠāŠēા āŠĩāŠ°્āŠ— āŠĪāŠ°āŠŦāŠĻી āŠ—āŠĪિ āŠœે āŠŦિāŠē્āŠŪāŠĻી āŠŪુāŠ–્āŠŊ āŠ•āŠĨાāŠĻો āŠ—āŠ°્āŠ­ીāŠĪાāŠ°્āŠĨ āŠ›ે , āŠœે āŠŦિāŠē્āŠŪāŠĻું āŠ…āŠĻ્āŠŊ āŠŠાāŠļુ āŠ°āŠœુ āŠ•āŠ°ે āŠ›ે . āŠĪāŠĶુāŠŠāŠ°ાંāŠĪ , āŠ†āŠŠāŠĢે āŠŦિāŠē્āŠŪ āŠ…āŠĻે āŠļāŠŪાāŠœāŠŪાં āŠŠ્āŠ°āŠļ્āŠĨાāŠŠિāŠĪ āŠŪાāŠēીāŠ•્āŠĩāŠ°્āŠ— āŠ…āŠĻે āŠŠીāŠĄીāŠĪāŠĩāŠ°્āŠ— āŠĩāŠš્āŠšેāŠĻા āŠŠાāŠ°āŠļ્āŠŠāŠ°િāŠ• āŠļંāŠŽંāŠ§ોāŠĻે āŠŠāŠĢ āŠœોāŠˆāŠķું . ***                 āŠŪાāŠĢāŠļ āŠļāŠđુāŠĨી āŠŠāŠđેāŠēા āŠāŠ• āŠŪાāŠĢāŠļ āŠ›ે , āŠ§āŠ°્āŠŪ , āŠœાāŠĪિ , āŠĩંāŠķ , āŠŽāŠ§ું āŠœ āŠĪેāŠĻી āŠŪાāŠĻāŠĩāŠĪા āŠ…āŠĻે āŠŪાāŠĻāŠĩāŠ§āŠ°્āŠŪ āŠļાāŠŪે āŠ—ૌāŠĢ āŠ›ે . āŠ†āŠĩો āŠļāŠ°āŠļ āŠļંāŠĶેāŠķો āŠ°āŠœુ āŠ•āŠ°āŠĪી...

āŠ°ોāŠēાં āŠŽાāŠ°્āŠĨ: āŠļંāŠ•ેāŠĪ āŠ…āŠĻે āŠŠ્āŠ°āŠĪિāŠŽāŠĶ્āŠ§āŠĪા

* āŠāŠŪ.āŠ.āŠĻા āŠ…āŠ­્āŠŊાāŠļ āŠĶāŠ°āŠŪિāŠŊાāŠĻ āŠœાāŠđેāŠ°ાāŠĪ āŠŠāŠ° āŠķોāŠ§āŠĻિāŠŽંāŠ§ āŠ•āŠ°āŠĪો āŠđāŠĪો āŠĪ્āŠŊાāŠ°ે āŠŪાāŠ°ા āŠķિāŠ•્āŠ·āŠ• āŠĪેāŠŪāŠœ āŠŪાāŠ°્āŠ—āŠĶāŠ°્āŠķāŠ• āŠ…āŠœāŠŊ āŠļāŠ°āŠĩૈāŠŊાāŠ āŠŪāŠĻે āŠ°ોāŠēાં āŠŽાāŠ°્āŠĨ (Roland Barthes) āŠĻું Mythologies āŠŠુāŠļ્āŠĪāŠ• āŠļૂāŠšāŠĩ્āŠŊું, āŠ…āŠĻે āŠĪ્āŠŊાāŠ°āŠĨી āŠķāŠ°ુ āŠĨāŠŊો āŠŪાāŠ°ો āŠ°ોāŠēાં āŠŽાāŠ°્āŠĨ āŠļાāŠĨેāŠĻો āŠļંāŠŽંāŠ§. āŠŽાāŠ°્āŠĨāŠĻું āŠļંāŠ•ેāŠĪāŠĩિāŠœ્āŠžાāŠĻ āŠŠāŠ°āŠĻું āŠ•ાāŠŪ āŠŪાāŠ°ા āŠ°āŠļāŠĻો āŠĩિāŠ·āŠŊ āŠđāŠĪું, āŠœે āŠ†āŠ—āŠģ āŠœāŠĪાં āŠŪાāŠ°ાં āŠŽીāŠœાં āŠļંāŠķોāŠ§āŠĻāŠŪાં āŠŠāŠĢ āŠ–ૂāŠŽ āŠœ āŠ‰āŠŠāŠŊોāŠ—ી āŠĻીāŠĩāŠĄ્āŠŊું. āŠ†āŠœે āŠŠāŠĢ āŠŽાāŠ°્āŠĨāŠĻું āŠ•ાāŠŪ āŠĩિāŠĩિāŠ§ āŠĩિāŠĶ્āŠŊાāŠķાāŠ–ાāŠ“ āŠ…āŠĻે āŠ…āŠ­્āŠŊાāŠļીāŠ“ āŠŪાāŠŸે āŠ–ૂāŠŽ āŠœ āŠŪāŠđāŠĪ્āŠĪ્āŠĩāŠŠૂāŠ°્āŠĢ āŠ›ે. āŠ…āŠĒāŠģāŠ• āŠēāŠ–ાāŠĢ āŠĪેāŠŪāŠœ āŠŠ્āŠ°āŠ­ાāŠĩ āŠ›āŠĪાં āŠŠāŠĢ “āŠŽાāŠ°્āŠĨીāŠŊāŠĻ” āŠ•āŠđેāŠĩાāŠĪા āŠ…āŠ­્āŠŊાāŠļીāŠ“ āŠ•ે āŠķાāŠ–ા āŠœāŠĻ્āŠŪી āŠĻāŠĨી. āŠāŠĻું āŠāŠ• āŠŪુāŠ–્āŠŊ āŠ•ાāŠ°āŠĢ āŠ›ે āŠ•ે āŠŽાāŠ°્āŠĨ āŠ…āŠēāŠ—-āŠ…āŠēāŠ— āŠ…āŠ­્āŠŊાāŠļુāŠ“ āŠŪાāŠŸે āŠ…āŠēāŠ—-āŠ…āŠēāŠ— āŠ…āŠ°્āŠĨ āŠ§āŠ°ાāŠĩે āŠ›ે, āŠ˜āŠĢા āŠŪાāŠŸે āŠ āŠļંāŠ°āŠšāŠĻાāŠĩાāŠĶી āŠļંāŠ•ેāŠĪ-āŠĩિāŠœ્āŠžાāŠĻી āŠ›ે, āŠĪો āŠ˜āŠĢા āŠŪાāŠŸે āŠ āŠ…āŠĻુ-āŠ†āŠ§ુāŠĻિāŠ•āŠĪાāŠĩાāŠĶી āŠ›ે. āŠāŠŪāŠĻું āŠ•ાāŠŪ āŠŦેāŠķāŠĻāŠĻી āŠŸેāŠ—-āŠēાāŠˆāŠĻāŠĨી āŠēāŠˆ āŠ•્āŠēાāŠļિāŠ•āŠē āŠļાāŠđિāŠĪ્āŠŊ āŠļુāŠ§ી āŠĩિāŠļ્āŠĪāŠ°ેāŠē āŠ›ે. āŠŽાāŠ°્āŠĨāŠĻા āŠēેāŠ–āŠĻāŠĻું āŠĩિāŠ·āŠŊāŠĩāŠļ્āŠĪુ āŠāŠĻા āŠļāŠŪāŠŊ āŠŠ્āŠ°āŠŪાāŠĢે āŠ–ૂāŠŽ āŠœ āŠ†āŠ§ુāŠĻિāŠ• āŠ…āŠĻે āŠ…āŠēāŠ— āŠđāŠĪું. āŠāŠŪāŠĢે āŠŦોāŠŸોāŠ—્āŠ°ાāŠŦીāŠĨી āŠēāŠˆ āŠŦિāŠē્āŠŪો āŠŠāŠ° āŠŠāŠĢ āŠēāŠ–્āŠŊું; āŠ°ેāŠļāŠēિંāŠ— āŠŦાāŠˆāŠŸāŠĨી āŠēāŠˆ āŠ•્āŠēાāŠļિāŠ•āŠē āŠĄ્āŠ°ાāŠŪા, āŠœાāŠđેāŠ°ાāŠĪ, āŠ°ાāŠœāŠ•ાāŠ°āŠĢ, āŠŠેāŠ°ીāŠļ, āŠ†āŠ‡āŠĻ્āŠļ્āŠŸાāŠ‡āŠĻāŠĻું āŠŪāŠ—āŠœ, āŠĩāŠ—ેāŠ°ે. āŠāŠŪāŠĻા āŠ•ાāŠŪāŠŪાં āŠļંāŠ•ેāŠĪāŠĩિāŠœ્āŠžાāŠĻāŠĻા āŠļિāŠĶ્āŠ§ાંāŠĪ, āŠļાāŠđિāŠĪ્āŠŊિāŠ• āŠĩિāŠĩેāŠšāŠĻ, āŠ‡āŠĪિāŠđાāŠļāŠĻે āŠēāŠ—āŠĪું āŠēેāŠ–āŠĻ, āŠŪāŠĻોāŠĩૈāŠœ્āŠžાāŠĻિ...